Podcast
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EP 326 The Wandering DP Podcast · Episode #326James Kniest
This week on the show we are chatting with cinematographer James Kniest. We had originally planned on talking about James’ latest work on the film The Free Fall…
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EP 325 The Wandering DP Podcast · Episode #325The Great Embargo
A last minute switcheroo has led to a slightly different episode for #325 then we had previously planned for. We here at the Wandering DP Podcast have dealt…
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EP 324 The Wandering DP Podcast · Episode #324The Hawk’s Strike Back
This week on the podcast we are breaking down a small sample size of spots shot as part of a wider campaign. AS we have seen with other…
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EP 323 The Wandering DP Podcast · Episode #323Daisy Zhou
On the show this week we are chatting with cinematographer/director Daisy Zhou about her experience in the industry, navigating the commercial landscape, and we discuss how the film…
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EP 322 The Wandering DP Podcast · Episode #322Ross Giardina ACS
We have a fun one today with cinematographer Ross Giardina ACS as he talks about his latest work on the film Gold. I have always liked Ross’ cinematography…
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EP 321 The Wandering DP Podcast · Episode #321Youtube Q+A
It is funny that I think I have a novel idea for a podcast only to later realize I had already done this exact same style episode less…
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EP 320 The Wandering DP Podcast · Episode #320The Art of Sacrifice
It isn’t always rainbows and lollipops on set and in today’s breakdown episode we look at the inevitable discussion that every director, dp, and first AD are bound…
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EP 319 The Wandering DP Podcast · Episode #319Ryan Eddleston
On the show this week we are speaking with cinematographer Ryan Eddleston. We chat about his progression from school to on set, how he makes connections inside the…
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EP 318 The Wandering DP Podcast · Episode #318Manuel Billeter
This week on the show we are chatting with cinematographer Manuel Billeter about some of his most recent work on the HBO series The Gilded Age. Manuel has…
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EP 317 The Wandering DP Podcast · Episode #317Chasing the Sun
A few months back we shot a commercial in one of the trickiest set ups possible. A non-montage, day exterior, that in film world takes place over a…